Music by Robert Xavier Rodríguez
Book by Hilary Blecher
Lyrics and monologues by Migdalia Cruz
...high drama ...conveys the radiance and explosive fury of the woman whose art was, in the words of André Breton, “a ribbon around a bomb.” - Time Magazine
"I never paint dreams or nightmares, I paint my own reality." Famed Mexican artist Frida Kahlo lived as she painted—with pain and passion in bold, vibrant colors. This celebration of Kahlo's vivacious spirit, sexuality, fragility and her tumultuous life with muralist Diego Rivera is captured with music as rich and haunting as her art.
Rodríguez describes Frida as being "in the Gershwin, Sondheim, Kurt Weill tradition of dissolving the barriers and extending the common ground between opera and musical theater." In keeping with the Mexican setting of Frida, the score features mariachi-style orchestration with authentic Mexican folk songs and dances and the composer's own "imaginary folk music," tangos and colorations of zarzuela, ragtime, vaudeville and 1930's jazz — "Romantically dramatic" (The Washington Post) and full of "the composer's all-encompassing sense of humor" (The Los Angeles Times).
Among the "stolen" musical fragments used in Frida (like Stravinsky, Rodríguez says "I never borrow; I steal.") are such strange musical bedfellows as two traditional Mexican piñata songs ("Horo y fuego" and "Al quebrar la piñata"), two narrative ballads ("La Maguinita" and "Jesusita"), the Communist anthem ("L'Internationale"), Tchaikovsky's Fourth Symphony, and Wagner's Tristan and Isolde.
Rodríguez says, "You learn much more about people by watching them not alone, but in conflict with others. Frida and Diego have two powerful love scenes, one at the beginning and one at the end, with one fight after another in between. It's that fascinating and unpredictable through-line of their relationship that drives the action." In a musical metaphor for Frida's unique persona, her vocal line is scored with its own characteristic rhythms. As Rodríguez observes, "Frida sings as she lived — against the tide from the very first note." Read Interview with the Composer
Frida Kahlo: Pain and Passion (Special Frida Event)
Friday, June 9th
Museum of Latin American Art
628 Alamitos Ave.
Long Beach, CA 90802
Visual Art and Opera fuse into a multimedia event to explore the non-compromising, non-apologetic, life of Frida Kahlo. LBO’s cast and Latin American Art expert Gregorio Luke take you on a fascinating, multi-layered journey into world of Mexico’s most famous artist. A collaboration with the Museum of Latin American Art. Get Tickets
Frida Kahlo (1907-1954)
Frida Kahlo de Rivera, born Magdalena Carmen Frieda Kahlo y Calderón, was a Mexican painter known for her self-portraits. Kahlo's life began and ended in Mexico City, in her home, which is known as "La Casa Azul," the Blue House. Her work has been celebrated internationally as emblematic of Mexican national and indigenous traditions, and by feminists for its uncompromising depiction of the female experience and form.
Mexican culture and tradition are important in her work, which has been sometimes characterized as naïve art or folk art. Her work has also been described as surrealist, and in 1938 André Breton, principal initiator of the surrealist movement, described Kahlo's art as a "ribbon around a bomb". Frida rejected the "surrealist" label imposed by Breton, as she argued that her work reflected more of her reality than her dreams.
Kahlo had a volatile marriage with the famous Mexican artist Diego Rivera. She suffered lifelong health problems, many of which were caused by a traffic accident she survived as a teenager. Recovering from her injuries isolated her from other people, and this isolation influenced her works, many of which are self-portraits. Kahlo suggested, "I paint myself because I am so often alone and because I am the subject I know best." Frida Kahlo Timeline
I tried to drown my sorrows, but the bastards learned how to swim, and now I am overwhelmed by this decent and good feeling.” - Frida Kahlo
Robert Xavier Rodríguez
Rodríguez was born on June 28, 1946 in San Antonio, Texas. He studied composition with Hunter Johnson, Halsey Stevens, Jacob Druckman, and Nadia Boulanger. He gained international recognition in 1971 when awarded the Prix de Composition Musicale Prince Pierre de Monaco by Prince Rainier and Princess Grace at the Palais Princier in Monte Carlo. Other honors include the Prix Lili Boulanger, a Guggenheim Fellowship, four National Endowment for the Arts grants, and the Goddard Lieberson Award from the American Academy and Institute of Arts and Letters.
Rodríguez's music embraces all genres and often combines Medieval, Renaissance, and Baroque techniques with ethnic and contemporary materials. He has had particular success with his operas. His most recent, the one-act comedy La Curandera, has been produced in Colorado, California, and Texas. Frida, had acclaimed productions at the American Music Theatre Festival, The American Repertory Theatre in Boston, the Brooklyn Academy's Next Wave Festival, Vienna Schauspielhaus, Theater Nordhausen in Germany, Mexico’s Jalisco Filharmonica, and the Houston Grand Opera. Rodríguez's children's opera Monkey See, Monkey Do is one of the most frequently performed contemporary operas in the US, with over 2000 performances to date.
This activity is supported in part by the California Arts Council, a state agency. Learn more at cac.ca.gov
Supported in part by a grant from the Arts Council for Long Beach and the City of Long Beach.
Long Beach Opera events are supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission