DIGITAL PROGRAM
THE LIBRARY OF MAPS:
AN OPERA IN MANY PARTS
APRIL 12 & 13, 2025 | RMS QUEEN MARY
(World Premiere in 2002)
(Recreated, assembled & adapted by LBO in 2025)
We are dedicating our performances of The Library of Maps to the memory to Lowell Hill, a long-time friend and supporter of our company
Lowell was the life partner of Karen Molleson, LBO’s board Vice President, and a great supporter of new music and art— and of innovation in all its forms. He served on the board of Brightwork New Music, and supported Karen in her work with Long Beach Opera, Wild Up, the Wende Museum and many other local organizations. He was also a great outdoorsman, and adventurer and a genuine mensch.
We’ve been deeply grateful for his involvement with us, and for his unflagging enthusiasm and encouragement over the past several years. As a past project manager and program director at Hughes Aircraft and a Caltech and UCLA alumnus, he was always generous with his management insights, and served for us as a rational and steadying influence as we’ve navigated a period of organizational change. All of us at Long Beach Opera will miss him tremendously, and ask you to join us in honoring his memory.
About the show
Long Beach Opera (LBO) presents The Library of Maps: An Opera in Many Parts—Pauline Oliveros’ uniquely experimental opera devised in collaboration with poet and librettist, Moira Roth. Originally premiered in a single whirlwind day in Oakland in 2002, the work now receives its first new production since.
The Library of Maps began as a series of conceptual poems by Roth, a pioneering feminist art historian, writer, and critic. In this multi-part epic, she charted the metaphorical “maps” of human existence—the archives of consciousness, memory, and interior life. The work imagines a dream space centered around a fictional “library” of map collections that spans the “beginning and end” of humanity. These "maps" are not traditional geographic ones, but abstract, poetic texts—memories and dreams that explore themes of time, space, and perception. They often take the form of immersive, multimedia experiences, accompanied by performances, animations, and digital media that document human experience.
The opera was developed in collaboration with revolutionary composer Oliveros, as she explored new technologies and placed a renewed emphasis on text and narrative gesture. LBO’s new production of The Library of Maps pays tribute to Pauline Oliveros’ experimental spirit at the turn of the 21st century, as part of its season dedicated to her work. The piece brings together actors, singers, visual art, dance, and poetry, accompanied by a rare orchestral ensemble blending familiar instruments with unexpected sounds. Each performance is slightly distinct, offering an immersive encounter with Oliveros’ decades of boundary-dissolving musical innovation—all set within one of Long Beach’s most treasured historic venues.
PART I: The Map of the Heart
PART II: The Map of Shadows
PART III: The Room of the Mute Woman
PART IV: The Map of the Sandstorm Desert
PRELUDE
SEARCH FOR THE MAP OF THE SHADOWS (2025)
An original short film
after Pauline Oliveros & Moira Roth
Created by O-Lan Jones
CAST & CREATIVE
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Composer & Concept
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Poetry & Concept
Moira Roth
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COMPOSER / PERFORMER
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COMPOSER / PERFORMER
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COMPOSER / PERFORMER
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Director / PERFORMER
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Music Director / PERFORMER
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ASSOCIATE DIRECTOR
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Production Designer
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Lighting Designer
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Costume Designer
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PERFORMER
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PERFORMER
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PERFORMER
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PERFORMER
I-Chin Feinblatt
THE THREE CARTOGRAPHERS
THE MAP MAKER
M.A. Tiesenga
THE PHOTOGRAPHER
Catherine Brookman
THE DREAMER
Paul Pinto
THE PASSENGERS
THE CHIEF LIBRARIAN
Kathryn Shuman
THE DUKE
Peter Kazaras
THE DUCHESS
O-Lan Jones
THE DEPUTY CAPTAIN
James Darrah
THE PHILOSOPHER
Christopher Rountree
THE MUTE WOMAN
I-Chin Feinblatt
PRODUCTION TEAM
DIRECTOR OF PRODUCTION
Eric Bridges
TECHNICAL SUPERVISOR
Bill Ballou
TECHNICAL DIRECTOR
Jackson Josewski
STAGE MANAGER
Lisa Kable-Blanchard
MANAGING PRODUCTION COORDINATOR
Ashley Likins
PRODUCTION ASSISTANTS
Max Mineer
Johnson Nguyen
MASTER ELECTRICIAN
Caleb Wildman
ELECTRICIAN
Anna Hibbert
Gabe Salvador
Guillermo Cervera
Alex Lemus
AUDIO TECHNICIAN (A2)
Stacy Abarca
WARDROBE CREW
Shoshi Brustin
Lyle Marley
HAIR & MAKEUP CREW
Nala Zinngrabe
About the venue
The Queen Mary is a nearly century-old historic ocean liner, transformed into an iconic hotel and event venue. On her maiden voyage in 1936, she was considered the grandest ocean liner ever built. Now docked permanently in the Long Beach Harbor since 1967, the ship has become one of Long Beach’s top attractions, welcoming visitors to explore its storied halls and discover its history through tours and onboard exhibits. The Queen Mary offers stunning views of the Pacific Ocean and the city skyline. Its vintage Art Deco design and rich history make it a completely unique setting for events, and its haunted reputation adds an additional layer of intrigue.
About LBO
Long Beach Opera (LBO) is Southern California’s oldest and boldest opera company, with over 45 years of challenging norms, taking risks and sparking meaningful conversation. Under the leadership of the company’s third Artistic Director & Chief Creative Officer, James Darrah, we create uniquely immersive work that blends film, dance, new music and more. LBO is committed to centering underrepresented voices—striving to redefine the art form to make it more accessible to our entire community. Notable highlights include our 2019 world premiere of Anthony Davis' The Central Park Five, which won the 2020 Pulitzer Prize, and the 2023 premiere of Pulitzer-finalist Kate Soper's The Romance of the Rose.